No expense was spared to deliver the best from the world’s premium marble quarries, resulting in the ultimate design definition, natural variability of marble facings and depth of color and shade rendition.

The rooms are populated with the work of the Martel brothers, and some of his now illustrious, but at the time lesserknown contemporaries. The Martels’ 1929 plaster sculpture La Trinité stands alongside their Trophée ‘Le Challenge des Hesperides’, which they designed for a self-propelled canoe race in the 1930s.

No expense was spared to deliver the best from the world’s premium marble quarries, resulting in the ultimate design definition, natural variability of marble facings and depth of color and shade rendition.

The rooms are populated with the work of the Martel brothers, and some of his now illustrious, but at the time lesserknown contemporaries. The Martels’ 1929 plaster sculpture La Trinité stands alongside their Trophée ‘Le Challenge des Hesperides’, which they designed for a self-propelled canoe race in the 1930s.

The rooms are populated with the work of the Martel brothers, and some of his now illustrious, but at the time lesserknown contemporaries. The Martels’ 1929 plaster sculpture La Trinité stands alongside their Trophée ‘Le Challenge des Hesperides’, which they designed for a self-propelled canoe race in the 1930s.

No expense was spared to deliver the best from the world’s premium marble quarries, resulting in the ultimate design definition, natural variability of marble facings and depth of color and shade rendition.